WAVES 2

LOEIL
16 x 12 inches
Acrylic, Posca, Collage
2015

200 €

Composition based on the search for balance. A jumble of collages where each band supports one or more others and creates the link between the different spaces.

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    Description

    Composition based on the search for balance. A jumble of collages where each band supports one or more others and creates the link between the different spaces. Color harmonies that echo and respond to each other, a rectilinear universe softened by the rounded angles that bring movement and the feeling of vagueness.

    Specifications

    Size cm | inch
    40 x 30 cm16 x 12 inches
    Technics
    Acrylic, Posca, Collage
    Theme
    Graffiti
    Color
    Mixed
    Orientation
    Portrait
    Framing
    Framed

    About LOEIL

    Vecto Hazard
    “I am like a researcher who experiments, mixes and crosses styles and tools of creation to constantly enrich my work” Curious and versatile, LŒIL is aptly named. From the minimal to the abundant and from the vector to the texture, he juggles and plays with inspirations like graphic design, abstraction or ethnic arts. P...

    “I am like a researcher who experiments, mixes and crosses styles and tools of creation to constantly enrich my work”

    Curious and versatile, LŒIL is aptly named. From the minimal to the abundant and from the vector to the texture, he juggles and plays with inspirations like graphic design, abstraction or ethnic arts. Playing with flat areas, color gradients or visual frames made of lines or points, rhythm is the conductor and essence of his artworks.

    On canvas, he favors a plastic research working by series on identical formats, with stages of saturation by stratum stopped at different times in the process of creation. He improvises and composes progressively from one canvas to another, and questions the control and fate of the artwork, the acceptance of unforeseen events or failures. Why try to control and direct everything, as luck would have it, why not give it a chance?

    On the wall on the contrary he likes to have a sketch as a guiding thread and likes to create in waste grounds. He chooses the location and the wall according to its coating, its appearance and its degree of ageing or wear. He has a taste for neglected places, previously full of activity and life, to make them live again, and a way of apprehending urban art as a means of giving a new atmosphere and a second life to a wall and to the room it is part of.

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